Evocatively sketches a fine line between someday and happily-ever-after.
This quiet, wordless book is artist and author Burrows’ graphic-novel debut.
A young woman, pale and rosy-cheeked with a straight black bob, lives alone in London—except for her cat—surrounded by lovers on Hampstead Heath and crowds on the Tube. One night she runs down to the local kebab and pizza shop in her pajamas and encounters a young man, pale and freckled with floppy red hair, also wearing pajamas. Unfortunately, they don’t notice each other surreptitiously noticing each other and head their separate ways, the young man returning to his flat—empty except for his dog and the glare of his laptop screen. The young woman tries a dating app, and a man sends her unsolicited, intimate selfies; the young man gets spattered in bird poop while working a temp job dressed as an avocado. The story conveys life as a series of small indignities, slight misses, and minor connections but ends on a hopeful note. The accomplished pencil drawings with red highlights are eloquent and emotive, drawing readers in, conveying the personalities of the characters, and capturing the poignancy, dignity, drama, and humor of the everyday. The backmatter includes mental health organizations and crisis lines and a note from Burrows referencing inspiration from missed connections columns and pandemic isolation.
Evocatively sketches a fine line between someday and happily-ever-after. (Graphic fiction. 15-adult)Pub Date: Jan. 11, 2022
ISBN: 978-1-64375-239-6
Page Count: 160
Publisher: Algonquin
Review Posted Online: Oct. 12, 2021
Kirkus Reviews Issue: Nov. 1, 2021
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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